WHITE DUCK WORKSHOP 70s Vintage Dress | 1970s Hippie Boho | Handmade in Berkeley | High Collar Long Tunic | Flower Applique | Size Small

WHITE DUCK WORKSHOP 70s Vintage Dress | 1970s Hippie Boho | Handmade in Berkeley | High Collar Long ...

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JEFFERSON STARSHIP Super rare WHITE DUCK long sleeve tunic dress, made in Berkeley California. This designer has been featured in the Oakland Museum of California ...

$$$$$ · Indexed February 1, 2025 ·

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Love Street Vintage
Haight Ashbury - San Francisco, CA
1506 Haight St San Francisco CA, 94117 · 415-872-9321






Usage
  • Vintage dresses like this one may be ideal for themed events, such as 1970s parties or festivals, where attendees often embrace the styles of that era.
  • Such handmade designs are often appreciated for their unique character, making them suitable for casual wear, community gatherings, or artistic expressions.
  • This type of tunic dress may appeal to individuals looking to incorporate vintage fashion into their everyday wardrobe, providing a stylish yet comfortable option.
History
  • The 1970s marked a significant cultural shift, often associated with the hippie movement, which embraced creativity and individual expression in fashion and lifestyle.
  • White Duck Workshop has historical relevance as a brand linked to the 1970s Bay Area art scene, recognized for contributing to the vibrant counterculture of that time.
  • Vintage garments from this era, especially those handmade in places like Berkeley, are often considered collectible items due to their connection to California's historical hippie culture.
Design Significance
  • Design elements such as high collars and flower appliques were popular in the 1970s, reflecting the era's emphasis on bold, artistic styles that aimed to capture nature and free spirit.
  • Tunic silhouettes often offered a blend of comfort and style, allowing for ease of movement while still showcasing unique design details that stood out during the time.
  • The use of specific materials like corduroy in vintage attire can be seen as a nod to the era's preference for tactile fabrics, contributing to both the aesthetic and the sensory experience of wearing such pieces.

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