1940s Painting of Sundial in Garden Landscape with “I Record Only the Sunny Hours” Inscription - WPA Era Paintings - Oil on Board Artwork

1940s Painting of Sundial in Garden Landscape with “I Record Only the Sunny Hours” Inscription ...

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Here we have a stunning painting of a sundial in a pristine garden setting. This beauty pops and will always bring a smile to your ...

$$$$$ · Indexed April 20, 2025 ·

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Mad Van Antiques
St. Paul, MN
713 Minnehaha Ave East St Paul MN, 55106 · 612-314-3354






Usage
  • The painting may serve as a charming accent piece in various settings, such as living rooms, offices, or garden-themed spaces, helping to evoke a cheerful atmosphere.
  • It could potentially inspire conversations about art or nature among guests, making it a unique addition to social gatherings or exhibitions.
  • This artwork might be ideal for collectors who appreciate vintage pieces or those interested in the WPA (Works Progress Administration) art movement.
History
  • Created in the 1940s, the artwork reflects the aesthetic sensibilities and cultural themes prevalent during the WPA era, which aimed to promote art access and economic recovery through creative work.
  • The unsung artist of this piece, despite being anonymous, contributes to the rich tapestry of American art history, where many skilled individuals worked under the WPA on similar projects.
  • The sundial itself symbolizes the emphasis on nature and the passage of time, two themes often explored in mid-20th-century art, which sought to connect viewers with the world around them.
Design Significance
  • The vibrant colors and detailed depiction of the garden setting capture the optimism of post-war America, showcasing the era's fascination with nature and tranquility.
  • This painting may exemplify mid-century design principles, as it features a focus on simplicity and the natural beauty of everyday objects, aligning with contemporary trends of that age.
  • The inscription, 'I Only Record the Sunny Days,' serves not only as a whimsical addition but also as a reflection of the thematic use of text in visual arts during that period, inviting contemplation and emotional resonance.

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