Abstract Ceramic Bust Sculpture with Cubist Face by Marianna Von Allesch circa 1940s

Abstract Ceramic Bust Sculpture with Cubist Face by Marianna Von Allesch circa 1940s

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Modernist bust sculpture by German American artist Marianna Von Allesch circa 1940s Hand sculpted organic form with cubist face decorated in abstract applied glaze and ...

$$$$$ · Indexed August 8, 2024 ·



20c Modern
Royal Oak, MI






Usage
  • The abstract ceramic bust sculpture may serve as a striking centerpiece for modern living spaces, combining artistic flair with functionality.
  • Such sculptures are often used in offices or galleries, allowing for the incorporation of sophisticated art pieces in various environments.
  • This type of bust sculpture can be integrated into eclectic decor styles, providing a conversation starter and a visual focus.
  • Potential uses include display on shelves, in curio cabinets, or as a highlight on coffee tables, enhancing the overall aesthetic of the space.
History
  • This piece is associated with the Modernist movement, which emerged in the late 19th and early 20th centuries, often characterized by abstraction and a departure from traditional representation.
  • Artists like Marianna Von Allesch contributed to defining American artistic identity in the post-war era, influencing perceptions of sculpture and design during the 1940s.
  • The mid-20th century was a pivotal time for ceramic art, with many artists experimenting with forms and techniques that move beyond functional ware to wearable art.
  • Understanding the historical context of such pieces can enhance appreciation for the craftsmanship and artistic decisions made by creators of this era.
Design Significance
  • Cubism is a significant art movement that changed how form and perspective are perceived, influencing many facets of visual art and design.
  • The organic form and abstract glaze applications reflect a trend during the 1940s where artists began to explore the relationship between sculpture and emotion and abstraction.
  • Sculptures like this one often bridge the gap between fine art and decorative objects, embodying both artistic and aesthetic values in household spaces.
  • The use of incised details in bust sculptures potentially serves to enhance textural interest, which is a noteworthy characteristic of ceramic art from this period.

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